In this paper, the acoustic characteristics of the most important rooms of the Royal Palace of Caserta are presented. The palace, built in the XVIII century as a residence for the King of Naples, consists of numerous rooms dedicated to court life. The acoustic properties of the rooms have been studied according to ISO 3382. For each room, the average values of reverberation time (T30), clarity (C80), definition (D50), and Speech Transmission Index (STI) are reported. The acoustic issues of the rooms are highlighted as the understanding of acoustics during the period in which the palace was constructed was limited. While the rudiments of Vitruvius' theories were known, the good acoustics of the rooms resulted primarily from the intuition and experience of the architects who designed them. The building materials-marble and plaster-contribute to the long reverberation times in the rooms. Special attention was given to the elliptical vault where musicians were positioned, the Palatine Chapel, the theatre used for court entertainment, and the Royal Throne Room. The study applies methods and techniques already seen in the literature and already reported in other published papers.
Discover the Acoustics of Vanvitelli Architecture in the Royal Palace of Caserta
Iannace G.;Lombardi I.;
2025
Abstract
In this paper, the acoustic characteristics of the most important rooms of the Royal Palace of Caserta are presented. The palace, built in the XVIII century as a residence for the King of Naples, consists of numerous rooms dedicated to court life. The acoustic properties of the rooms have been studied according to ISO 3382. For each room, the average values of reverberation time (T30), clarity (C80), definition (D50), and Speech Transmission Index (STI) are reported. The acoustic issues of the rooms are highlighted as the understanding of acoustics during the period in which the palace was constructed was limited. While the rudiments of Vitruvius' theories were known, the good acoustics of the rooms resulted primarily from the intuition and experience of the architects who designed them. The building materials-marble and plaster-contribute to the long reverberation times in the rooms. Special attention was given to the elliptical vault where musicians were positioned, the Palatine Chapel, the theatre used for court entertainment, and the Royal Throne Room. The study applies methods and techniques already seen in the literature and already reported in other published papers.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


