Drawing is the productive space of the exchange between memory and reason. It does not matter if it is "phenomenalized"—in the sense that the work carried out is the immediate depository of the creative idea (as it was originally)—or "mediated", since the graphic mediator precedes execution or anticipates modification. Taking some of the evidence found in the Telles- Sultan and Çatalhöyük sites as a starting point, the proposed analysis is a reconstruction "exercise" on the origin of the first human communities, the development of a criterion allowing us to provide some keys to register the leaps in changes and transformations throughout history. The fundamental objective of this study is to establish a plausible hypothesis that could contribute to clarify the where, how, when and why of the advent of technical drawing as an instrument of mediation between the will, the idea oriented to satisfy primary human needs and the executed project; that is, the necessary tool to objectively establish the characteristics and connotations of the habitat that transcends the natural environment and whose systematization has allowed the development of more sustainable construction typologies.
In the origins between memory and sustainable development the productive: space of the drawing
Adriana Rossi
;
2021
Abstract
Drawing is the productive space of the exchange between memory and reason. It does not matter if it is "phenomenalized"—in the sense that the work carried out is the immediate depository of the creative idea (as it was originally)—or "mediated", since the graphic mediator precedes execution or anticipates modification. Taking some of the evidence found in the Telles- Sultan and Çatalhöyük sites as a starting point, the proposed analysis is a reconstruction "exercise" on the origin of the first human communities, the development of a criterion allowing us to provide some keys to register the leaps in changes and transformations throughout history. The fundamental objective of this study is to establish a plausible hypothesis that could contribute to clarify the where, how, when and why of the advent of technical drawing as an instrument of mediation between the will, the idea oriented to satisfy primary human needs and the executed project; that is, the necessary tool to objectively establish the characteristics and connotations of the habitat that transcends the natural environment and whose systematization has allowed the development of more sustainable construction typologies.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
