The representation of the acts of preparation and consumption of food in audio-visual and digital media is both a reflex and an active element of the symbolic and cultural construction of social life. Adopting a socio-semiotics approach, this article focuses on the communicative functions of the figure of the chef and of the act of cooking as they are employed in different media, with a particular focus on the Italian mediascape. The first paragraph briefly retraces the symbolic and narrative valences of food in the history of Italian cinema from Neorealism to the present. The second paragraph focuses on the “spectacular” role of food in contemporary tv genres, such as talent show, reality show and game show. The third paragraph point out the “exhibitionist” exploitation of food in participatory and user-generated content media such as weblogs and social network sites.

Médias à la carte. La représentation de la cuisine et du cuisinier au cinéma, à la télévision et sur les réseaux numériques en Italie

D'ALOIA A;
2015

Abstract

The representation of the acts of preparation and consumption of food in audio-visual and digital media is both a reflex and an active element of the symbolic and cultural construction of social life. Adopting a socio-semiotics approach, this article focuses on the communicative functions of the figure of the chef and of the act of cooking as they are employed in different media, with a particular focus on the Italian mediascape. The first paragraph briefly retraces the symbolic and narrative valences of food in the history of Italian cinema from Neorealism to the present. The second paragraph focuses on the “spectacular” role of food in contemporary tv genres, such as talent show, reality show and game show. The third paragraph point out the “exhibitionist” exploitation of food in participatory and user-generated content media such as weblogs and social network sites.
2015
La représentation de la préparation et de la consommation du repas dans les médias audiovisuels et numériques est soit une conséquence, soit un élément actif de la construction de la vie sociale, en termes symboliques et culturels. Avec une approche socio-sémiotique, les auteurs analysent les fonctions communicationnelles de la figure du chef et de l’action de cuisiner dans les différents médias. Et ce, pour ce qui concerne le paysage italien. En particulier, les auteurs traitent du cinéma (du néoréalisme aux films actuels), de la télévision (dans les genres comme le talent show, le reality show et le game show), des médias numériques comme blogs et réseaux sociaux.
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11591/400343
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact