Many forms of art leave their imprint on contemporary art culture as a complex system of ideas and emotions, perceptions and stimuli for reflection. The role of artistic installations in historical contexts is related to the impermanence between necessity and pleasure, showing how works of art become a necessity not only for the artist but above all for the urban spaces that welcome them and for the people who live there. The socio-cultural value of this kind of event is part of the cathartic and pedagogical role of art, which allows urban spaces to find ideas for enhancement and people to experience the emotion of belonging. The considerations contained in the contribution are the result of many years of scientific collaboration between the two authors on the issues of the relationship between art and architecture, and deepen two strongly representative cases: the biennial Festival of Environmental Art Seminar Sogninterra in Maranola and the Havana Art Biennale
Molte forme d’arte lasciano il segno nella cultura artistica contemporanea come complesso sistema di idee ed emozioni, percezioni e stimoli alla riflessione. Il ruolo delle installazioni artistiche nei contesti storici, tocca il tema dell’impermanenza tra necessità e piacere, mostrando come le opere d’arte diventino una necessità non solo per l’artista ma soprattutto per gli spazi urbani che le accolgono e per le persone che vi abitano. Il valore socio-culturale di questo tipo di eventi fa parte del ruolo catartico e pedagogico dell’arte che permette agli spazi urbani di trovare spunti di valorizzazione e alle persone di provare l’emozione dell’appartenenza. Le considerazioni contenute nel contributo sono il risultato di molti anni di collaborazione scientifica tra i due autori sui temi del rapporto tra arte e architettura, e approfondiscono due casi fortemente rappresentativi: il Festival biennale di Arte Ambientale Seminaria Sogninterra a Maranola e la Biennale d’Arte dell’Avana.
Il valore comunicativo-visivo dei festival d’arte ambientale/ Communicative-visual value of environmental art festival
Violano A.
;
2018
Abstract
Many forms of art leave their imprint on contemporary art culture as a complex system of ideas and emotions, perceptions and stimuli for reflection. The role of artistic installations in historical contexts is related to the impermanence between necessity and pleasure, showing how works of art become a necessity not only for the artist but above all for the urban spaces that welcome them and for the people who live there. The socio-cultural value of this kind of event is part of the cathartic and pedagogical role of art, which allows urban spaces to find ideas for enhancement and people to experience the emotion of belonging. The considerations contained in the contribution are the result of many years of scientific collaboration between the two authors on the issues of the relationship between art and architecture, and deepen two strongly representative cases: the biennial Festival of Environmental Art Seminar Sogninterra in Maranola and the Havana Art BiennaleI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.