Re-reading, after an interval of over fifty years, a number of pieces written in the period 1944-1949 on approaches to church restoration, allows a clearer perspective today of the historical and cultural context in which they were produced. This was characterised by what was perhaps the most importane current of art histmi¬cal thought in 20th century Italy, the so-called ‘Critical Restoration’.

Una pelle per la liturgia. Il restauro come "pietas" figurale. Appunti per una riflessione sul problema dell'arte sacra e dell'intervento reintegrativo per i luoghi di culto negli anni a ridosso della seconda guerra mondiale

CARILLO, Saverio
2009

Abstract

Re-reading, after an interval of over fifty years, a number of pieces written in the period 1944-1949 on approaches to church restoration, allows a clearer perspective today of the historical and cultural context in which they were produced. This was characterised by what was perhaps the most importane current of art histmi¬cal thought in 20th century Italy, the so-called ‘Critical Restoration’.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11591/231599
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