Through an applied research project in the field of contemporary design, the essay identifies and illustrates the passage of three philosophical transitions: the idea of the object as a design project (Flusser, Sottsass, Mendini) – first transition -, crosses over to the realm of the thing (Heidegger, Bodei, Rigotti) – second transition – until it reaches the notion of the hyperobject (Harman, Morton), – third transition – involving human and non-human entities. Through reclaiming for design the possibility of becoming a trigger for divergent thinking, the object acquires new human and dialogic qualities. The transition from the object-function to the object-thought transforms the meaning of the product to the extent that it is no longer a passive element of dialogical discourse but rather the triggering actor of that same process of confrontation. The last transition, to the hyperobject, is illustrated through a design experience at the boundary between these three value transitions. The final hyperobjects designed have their primary meaning to interrogate and raise awareness around diverse relationships – with ecosystems, beyond the human – unhinging an out-dated idea that sees the object forcibly relegated to the world of practical and tangible consumer commodity.

Objects, Things, Hyperobjects. A Philosophical Gaze on Contemporary Design.

Chiara Scarpitti
2024

Abstract

Through an applied research project in the field of contemporary design, the essay identifies and illustrates the passage of three philosophical transitions: the idea of the object as a design project (Flusser, Sottsass, Mendini) – first transition -, crosses over to the realm of the thing (Heidegger, Bodei, Rigotti) – second transition – until it reaches the notion of the hyperobject (Harman, Morton), – third transition – involving human and non-human entities. Through reclaiming for design the possibility of becoming a trigger for divergent thinking, the object acquires new human and dialogic qualities. The transition from the object-function to the object-thought transforms the meaning of the product to the extent that it is no longer a passive element of dialogical discourse but rather the triggering actor of that same process of confrontation. The last transition, to the hyperobject, is illustrated through a design experience at the boundary between these three value transitions. The final hyperobjects designed have their primary meaning to interrogate and raise awareness around diverse relationships – with ecosystems, beyond the human – unhinging an out-dated idea that sees the object forcibly relegated to the world of practical and tangible consumer commodity.
2024
Scarpitti, Chiara
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11591/495548
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