The occurrence of phenomena characterized by ‘actuality’ is ceaseless, they are produced with trajectories that often escape the attempt to trace a general sense, even the identification of the characters that bring them together, the dy- namics that pervades all activities and determines the capacity of absorption re- main unknown. The essay reflects on the contemporary scenery of the activities aimed at the production of goods that are based on assumptions oriented to pro- cesses of diffused aestheticization of dailylife. It deals with production of tangible and intangible goods at the center of phenomena that cause aesthetic inflation fa- vored by the current economic model that imposes an unquestionable change of paradigm; from a type of strong industrial capitalism to an aesthetic and emotional one define artist (Lipovetsky, 2013). It’s a paradoxical combination of the product from the double opposing nature that is played between the industrial production of mass consumption and the goods that communicates with the market, to adhere perfectly to the aesthetic-emotional needs of every consumer/user.

The experiential and trans-aesthetic substance of Fashion and Design Culture&creative-based models and processes

Maria Antonietta Sbordone
2019

Abstract

The occurrence of phenomena characterized by ‘actuality’ is ceaseless, they are produced with trajectories that often escape the attempt to trace a general sense, even the identification of the characters that bring them together, the dy- namics that pervades all activities and determines the capacity of absorption re- main unknown. The essay reflects on the contemporary scenery of the activities aimed at the production of goods that are based on assumptions oriented to pro- cesses of diffused aestheticization of dailylife. It deals with production of tangible and intangible goods at the center of phenomena that cause aesthetic inflation fa- vored by the current economic model that imposes an unquestionable change of paradigm; from a type of strong industrial capitalism to an aesthetic and emotional one define artist (Lipovetsky, 2013). It’s a paradoxical combination of the product from the double opposing nature that is played between the industrial production of mass consumption and the goods that communicates with the market, to adhere perfectly to the aesthetic-emotional needs of every consumer/user.
2019
Sbordone, Maria Antonietta
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11591/420549
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