Impressioni di un paesaggio, Scacchiera Mediterranea

Regeneration is possible only when, like Carmine Gambardella said, “you create a genetic match between the investigator / designer and the environment, in order to make vanishing the border between existing and new, have already done and what to do, including survey design and project design in order to razionalize time and it checks the modification. “ This essential relationship between the investigator / designer and environment, supported by technological evolution, enables extensive information to enter into the body of the objects, enriching the information and determining the evolution of the Representation as a Project. The project comes from the idea to recover, physically and visually, the system of vegetable production, and rose gardens, which draw the Pompeian landscape through “colored stripes”, vertical and horizontal, that recall the agricultural vocation of the place and imposing a new agricultural park citizen. The compositional method followed is that of the overlapping thematic layers, such as water, gardens, greenhouses, etc. ... and the result produces an overhead type of painting, a local version of Mondrian abstract style that fits well into the landscape, integrating the various functions that, in the fascinating game of the structurization of a place, act as the starting point to get the architectural definition of a limit space, in continually progress, where the old founds, through the signs of the past, a medium ferryman to the future. So, greenhouses become art greenhouses, irrigation canals are transformed into signs in the landscape and spas, gyms are three-dimensional fields and schools are integrated with the landscape. In conclusion, the overall intervention tends to achieve a peaceful reunion of architecture with nature through the link with the memory.