V.Ar.Co. (Vanvitelli for the Contemporary Art) is a project initiated by the Department of Arts and Humanities (DiLBeC) of the University of Campania 'Luigi Vanvitelli' and by the 'Contemporary Art Section' of MUSA (the University's museum system). It is an 'in-progress' collection of art works donated by local artists (but not exclusively so), and its permanet precence in the vivid university venues is a devoted call for attention on items and problems of our contemporary world and society. Furthermore, it is also a working tool that unites the exhibition of contemporary art works with the world of education and scientific research. The University is a place where activities such as the recording, rception and critical analysis of contemporary artistic production are carried out, and it is therefore not a simple container, but a featured space with its functions, missions, and specific community, accessed by a diverse combination of audiences.

Dipartimento di Lettere e Beni Culturali. V.Ar.Co.: un metodo e un'esperienza progettuale tra Università e territorio.

G. Salvatori
2018

Abstract

V.Ar.Co. (Vanvitelli for the Contemporary Art) is a project initiated by the Department of Arts and Humanities (DiLBeC) of the University of Campania 'Luigi Vanvitelli' and by the 'Contemporary Art Section' of MUSA (the University's museum system). It is an 'in-progress' collection of art works donated by local artists (but not exclusively so), and its permanet precence in the vivid university venues is a devoted call for attention on items and problems of our contemporary world and society. Furthermore, it is also a working tool that unites the exhibition of contemporary art works with the world of education and scientific research. The University is a place where activities such as the recording, rception and critical analysis of contemporary artistic production are carried out, and it is therefore not a simple container, but a featured space with its functions, missions, and specific community, accessed by a diverse combination of audiences.
2018
Salvatori, G.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11591/396661
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