The paper describes a social project model BENGEMS: JEWELS OF BINDING SEA developed both in the academic and commercial context from 2020 to 2024 and which involved 4 Training and Higher Education Institutes in the Italian Goldsmith and Jewelry Design sector, historic companies in the pro-duction of cameos and corals from Torre del Greco; educational institutes, gemological institutes, consortia. The project, linked to the cultural, material and human resources of the Italian territories involved, particularly in the Medi-terranean area, structures a strategic co-design model that involves the Universi-ty in a diachronic manner in the design phase and subsequently the other train-ing institutes and companies in the creation of precious prototypes. The ecolog-ical process, which also uses natural and innovative artificial materials and pro-cessing waste, responds to the directives relating to the United Nations Sustain-able Development Goals, specifically SDGs 4 (Quality Education), 9 (Business, Innovation and Infrastructure), 11 (Sustainable Cities and Communities), 12 (Responsible Consumption and Production), 17 (Partnership for the Goals) and the themes of the New European Bauhaus.
A social project model for the design and production of sustainable jewelry
Morelli Maria Dolores
;Barbato Carmela
In corso di stampa
Abstract
The paper describes a social project model BENGEMS: JEWELS OF BINDING SEA developed both in the academic and commercial context from 2020 to 2024 and which involved 4 Training and Higher Education Institutes in the Italian Goldsmith and Jewelry Design sector, historic companies in the pro-duction of cameos and corals from Torre del Greco; educational institutes, gemological institutes, consortia. The project, linked to the cultural, material and human resources of the Italian territories involved, particularly in the Medi-terranean area, structures a strategic co-design model that involves the Universi-ty in a diachronic manner in the design phase and subsequently the other train-ing institutes and companies in the creation of precious prototypes. The ecolog-ical process, which also uses natural and innovative artificial materials and pro-cessing waste, responds to the directives relating to the United Nations Sustain-able Development Goals, specifically SDGs 4 (Quality Education), 9 (Business, Innovation and Infrastructure), 11 (Sustainable Cities and Communities), 12 (Responsible Consumption and Production), 17 (Partnership for the Goals) and the themes of the New European Bauhaus.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
