The paper proposes to illustrate the figure of Glauco Gresleri, known to the scientific community for its architectural and editorial production, as 'Designer of the sacred ' that designs and realizes "responsible and meaningful forms" from objects to Great religious constructions. An investigation into the relationship between design and construction; craftsmen and elements of detail, artistic and decorative; between the emptiness of architecture and the meaning of the built; between gesture and body, generative matrices of the work of Gresleri, up to its dynamic and phenomenological approach that from special value to the places of the liturgy: altar, ambo, baptistery and seat.
Glauco Gresleri, the designer of the sacred
Maria Dolores Morelli
2019
Abstract
The paper proposes to illustrate the figure of Glauco Gresleri, known to the scientific community for its architectural and editorial production, as 'Designer of the sacred ' that designs and realizes "responsible and meaningful forms" from objects to Great religious constructions. An investigation into the relationship between design and construction; craftsmen and elements of detail, artistic and decorative; between the emptiness of architecture and the meaning of the built; between gesture and body, generative matrices of the work of Gresleri, up to its dynamic and phenomenological approach that from special value to the places of the liturgy: altar, ambo, baptistery and seat.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
